{"id":13418,"date":"2026-02-19T11:01:56","date_gmt":"2026-02-19T10:01:56","guid":{"rendered":"https:\/\/festival.videoformes.com\/?page_id=13418"},"modified":"2026-04-02T14:20:44","modified_gmt":"2026-04-02T12:20:44","slug":"programme-4","status":"publish","type":"page","link":"https:\/\/festival.videoformes.com\/en\/programme-4\/","title":{"rendered":"Programme 4"},"content":{"rendered":"\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Video competition<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SATURDAY 14 March \u2014 4 p.m.<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\"Henricks<\/figure><\/div>
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Don’t You Like the Green of A? | Nelson HENRICKS | CAN | 2025 | 10’29<\/strong><\/p>

Don\u2019t You Like the Green of A? <\/em>is based on the correspondences between letters and colours specific to the American abstract painter Joan Mitchell\u2019s synaesthesia\u2013a condition that Henricks happens to share with her.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"imdickicht-01(c)katharinapichler\"<\/figure><\/div>
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Im Dickicht | Katharina PICHLER | AUT | 2025 | 8’00<\/strong><\/p>

A flicker of blurred landscapes. A decayed munitions depot. Im Dickicht<\/i> explores this place with an aesthetic of alienation and dense layering of image and sound.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"visu-Sous_la_peau_de_la_palestine-2025-Zohra-Hassani-300dpi\"<\/figure><\/div>
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Sous la peau de la Palestine | Zohra HASSANI | FRA | 2025 | 4’49<\/strong><\/p>

The artist removes layers of socks. Each fall releases a name. Sound accumulation builds collective memory. The earth receives, witnesses. Seen from above, the socks draw Palestine\u2014territory made of embodied memories.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"01_ScatteredSea_LiaSaile_UHD_filmstills00101936\"<\/figure><\/div>
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Scattered Sea \u062a\u064e\u0646\u0627\u062b\u064f\u0631 \u0627\u0644\u0628\u062d\u0631 | Lia S\u00c1ILE | DEU | 2025 | 13’37<\/strong><\/p>

Blending magical realism, performance and documentary, 17 performers from North Africa and Europe explore cross-border connection in a diverse world shaped by entangled traumas, power imbalances and colonial legacies. Filmed in Morocco, Malta and Germany, gestures and actions create hybrid spaces for plural futures.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\"ElleX<\/figure><\/div>
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Elle X \/ ElleY | Valeria GALLUCCIO | CAN | 2025 | 11’30<\/strong><\/p>\n

ElleX, an androgynous, slender being, drifts through a suspended world beneath blazing comets. As the tilted ground shifts, glowing pearls spill from her body\u2014her hidden vital essence. Unsteady, she begins a pilgrimage across her confined realm, the pearls awakening as ElleY, her clone. The two meet in a charged exchange of energy and sensation, merging and unfolding into radiant flowers on a white canvas, revealing their shared light.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Video competition SATURDAY 14 March \u2014 4 p.m. Don’t You Like the Green of A? | Nelson HENRICKS | CAN | 2025 | 10’29 Don\u2019t You [\u2026]<\/span><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13418","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/festival.videoformes.com\/en\/wp-json\/wp\/v2\/pages\/13418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festival.videoformes.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festival.videoformes.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festival.videoformes.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/festival.videoformes.com\/en\/wp-json\/wp\/v2\/comments?post=13418"}],"version-history":[{"count":10,"href":"https:\/\/festival.videoformes.com\/en\/wp-json\/wp\/v2\/pages\/13418\/revisions"}],"predecessor-version":[{"id":15143,"href":"https:\/\/festival.videoformes.com\/en\/wp-json\/wp\/v2\/pages\/13418\/revisions\/15143"}],"wp:attachment":[{"href":"https:\/\/festival.videoformes.com\/en\/wp-json\/wp\/v2\/media?parent=13418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}