{"id":1430,"date":"2021-12-17T11:43:11","date_gmt":"2021-12-17T10:43:11","guid":{"rendered":"https:\/\/dev-tests.videoformes.com\/?page_id=1430"},"modified":"2026-04-20T15:51:09","modified_gmt":"2026-04-20T13:51:09","slug":"professional-meetings","status":"publish","type":"page","link":"https:\/\/festival.videoformes.com\/en\/professional-meetings\/","title":{"rendered":"Digital Acts #7"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1430\" class=\"elementor elementor-1430 elementor-1352\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-214a8d3 elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"214a8d3\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-f03739e\" data-id=\"f03739e\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-76d7752 elementor-widget elementor-widget-image\" data-id=\"76d7752\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/festival.videoformes.com\/wp-content\/uploads\/2026\/02\/VDF_25_AN6-PART-1_MD_IMG_0910-copie-scaled-e1767953908719-1200x675.jpg\" class=\"attachment-blog-single size-blog-single wp-image-12307\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-8175397\" data-id=\"8175397\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7483694 kill-mg-bot elementor-widget elementor-widget-text-editor\" data-id=\"7483694\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Thursday 12 and Friday 13 March<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-30c98c4 after-title elementor-widget elementor-widget-heading\" data-id=\"30c98c4\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Digital Acts #7<br><h4>Professional Meetings\n<\/h4><h6><a href=\"https:\/\/goo.gl\/maps\/QJMXTMDReCPbJ2Eu8\">Georges Conchon building, Maison de la Culture<\/a><\/h6><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-14b6db3 kill-mg-bot elementor-widget elementor-widget-text-editor\" data-id=\"14b6db3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p style=\"text-align: justify;\"><strong>Digital Acts #7 meetings:<\/strong><\/p><p style=\"text-align: justify;\">Thursday 12 March &#8211; 2 p.m.<br \/>Friday 13 March &#8211; 9:30 a.m. &amp; 2 p.m.<br \/>Meeting at Les Volcans &#8211; 5:30 p.m. &gt; 6:45 p.m.<\/p><p><strong>Free access<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7597320 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7597320\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-78a086c\" data-id=\"78a086c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-018049f elementor-widget elementor-widget-spacer\" data-id=\"018049f\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container{height:100%;width:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty,.e-con>.elementor-widget-spacer.elementor-widget-empty{position:relative;min-height:22px;min-width:22px}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1f38477 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"1f38477\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-md elementor-animation-grow\" href=\"\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon elementor-align-icon-left\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-ticket-alt\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"elementor-button-text\">REGISTRATION<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1e44a05 elementor-widget elementor-widget-spacer\" data-id=\"1e44a05\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4636345 elementor-widget elementor-widget-text-editor\" data-id=\"4636345\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span data-start=\"82\" data-end=\"109\">T<\/span><span data-start=\"82\" data-end=\"109\">he Digital Acts #7<\/span>, a series of public professional meetings in the field of hybrid and digital arts, is structured around presentations by curators, artists, and researchers, interspersed with roundtable discussions focusing on the challenges of digital technology in artistic creation.<\/p><div data-id=\"9c1abf0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"><h5>FOCUS SCREENINGS<\/h5><p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: The FOCUS video programs are &quot;carte blanche&quot; projects given to curators, directors of international festivals, or partner broadcasters of VIDEOFORMES. They can focus on an artist, the output of a particular country, or a label. This year, Hyper Wave and FemLink-Art are featured.\"><span class=\"Y2IQFc\" lang=\"en\">The Focus video programs are &#8220;carte blanche&#8221; projects given to curators, directors of international festivals, or partner broadcasters of <strong>VIDEO<\/strong>FORMES. They can focus on an artist, the output of a particular country, or a label. <\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: The FOCUS video programs are &quot;carte blanche&quot; projects given to curators, directors of international festivals, or partner broadcasters of VIDEOFORMES. They can focus on an artist, the output of a particular country, or a label. This year, Hyper Wave and FemLink-Art are featured.\"><span class=\"Y2IQFc\" lang=\"en\">This year, Hyper Wave and FemLink-Art are featured.<\/span><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a19bcd7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a19bcd7\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3a03c4a\" data-id=\"3a03c4a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-57adb21 elementor-widget elementor-widget-html\" data-id=\"57adb21\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-bd006ba\" data-id=\"bd006ba\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ac51583 elementor-cta--skin-cover elementor-animated-content elementor-bg-transform elementor-bg-transform-zoom-in elementor-widget elementor-widget-call-to-action\" data-id=\"ac51583\" data-element_type=\"widget\" data-widget_type=\"call-to-action.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<link rel=\"stylesheet\" href=\"https:\/\/festival2025.videoformes.com\/wp-content\/plugins\/elementor-pro\/assets\/css\/widget-call-to-action.min.css\">\t\t<a class=\"elementor-cta\" href=\"https:\/\/festival.videoformes.com\/en\/professional-meetings\/focus-2-hyperwave\/\">\n\t\t\t\t\t<div class=\"elementor-cta__bg-wrapper\">\n\t\t\t\t<div class=\"elementor-cta__bg elementor-bg\" style=\"background-image: url(https:\/\/festival.videoformes.com\/wp-content\/uploads\/2026\/01\/Still-Image_5-scaled.jpeg);\"><\/div>\n\t\t\t\t<div class=\"elementor-cta__bg-overlay\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-cta__content\">\n\t\t\t\t\n\t\t\t\t<h3 class=\"elementor-cta__title elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">FOCUS #1<\/h3>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-cta__description elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">\n\t\t\t\t\t\t<strong>HyperWave<\/strong><br>Thursday 12 March - 2 p.m.\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-cta__button-wrapper elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">\n\t\t\t\t\t<span class=\"elementor-cta__button elementor-button elementor-size-sm\">\n\t\t\t\t\t\tInformation\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-82a8684\" data-id=\"82a8684\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5e5dfeb elementor-cta--skin-cover elementor-animated-content elementor-bg-transform elementor-bg-transform-zoom-in elementor-widget elementor-widget-call-to-action\" data-id=\"5e5dfeb\" data-element_type=\"widget\" data-widget_type=\"call-to-action.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<a class=\"elementor-cta\" href=\"https:\/\/festival.videoformes.com\/en\/professional-meetings\/focus-2-dna\/\">\n\t\t\t\t\t<div class=\"elementor-cta__bg-wrapper\">\n\t\t\t\t<div class=\"elementor-cta__bg elementor-bg\" style=\"background-image: url(https:\/\/festival.videoformes.com\/wp-content\/uploads\/2026\/03\/DNA.jpg);\"><\/div>\n\t\t\t\t<div class=\"elementor-cta__bg-overlay\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-cta__content\">\n\t\t\t\t\n\t\t\t\t<h3 class=\"elementor-cta__title elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">FOCUS #2<\/h3>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-cta__description elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">\n\t\t\t\t\t\t<b>DNA<\/b><br>Friday 13 March - 9:30 a.m.\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-cta__button-wrapper elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">\n\t\t\t\t\t<span class=\"elementor-cta__button elementor-button elementor-size-sm\">\n\t\t\t\t\t\tInformation\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6e012ac elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6e012ac\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5b78007\" data-id=\"5b78007\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c693a1e elementor-widget elementor-widget-html\" data-id=\"c693a1e\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-bd006ba\" data-id=\"bd006ba\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ac51583 elementor-cta--skin-cover elementor-animated-content elementor-bg-transform elementor-bg-transform-zoom-in elementor-widget elementor-widget-call-to-action\" data-id=\"ac51583\" data-element_type=\"widget\" data-widget_type=\"call-to-action.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<link rel=\"stylesheet\" href=\"https:\/\/festival2025.videoformes.com\/wp-content\/plugins\/elementor-pro\/assets\/css\/widget-call-to-action.min.css\">\t\t<a class=\"elementor-cta\" href=\"https:\/\/festival.videoformes.com\/en\/professional-meetings\/focus-3-femlink-art\/\">\n\t\t\t\t\t<div class=\"elementor-cta__bg-wrapper\">\n\t\t\t\t<div class=\"elementor-cta__bg elementor-bg\" style=\"background-image: url(https:\/\/festival.videoformes.com\/wp-content\/uploads\/2026\/01\/05-PH-IRANPOUR-MOBARAKEH-MINOO-pro.jpg);\"><\/div>\n\t\t\t\t<div class=\"elementor-cta__bg-overlay\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-cta__content\">\n\t\t\t\t\n\t\t\t\t<h3 class=\"elementor-cta__title elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">FOCUS #3<\/h3>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-cta__description elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">\n\t\t\t\t\t\t<strong>FemLink-Art<\/strong><br>Friday 13 March - 2 p.m.\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-cta__button-wrapper elementor-cta__content-item elementor-content-item elementor-animated-item--grow\">\n\t\t\t\t\t<span class=\"elementor-cta__button elementor-button elementor-size-sm\">\n\t\t\t\t\t\tInformation\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-45ffd93 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"45ffd93\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e58ad3a\" data-id=\"e58ad3a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8d208f1 elementor-widget elementor-widget-spacer\" data-id=\"8d208f1\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-073703b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"073703b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c017f54\" data-id=\"c017f54\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dba54d7 elementor-widget elementor-widget-spacer\" data-id=\"dba54d7\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fd6f49a elementor-widget elementor-widget-mfn_tabs\" data-id=\"fd6f49a\" data-element_type=\"widget\" data-widget_type=\"mfn_tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"jq-tabs tabs_wrapper tabs_horizontal\"><ul><li><a href=\"#tab-69f56438e52f3-1\">Thursday 12 March<\/a><\/li><li><a href=\"#tab-69f56438e52f3-2\">Friday 13 March<\/a><\/li><\/ul><div id=\"tab-69f56438e52f3-1\" ><h3>Digital Acts #7- Part 1<\/h3><p><strong>2 p.m.:<\/strong> General presentation of the Digital Acts #7<\/p><p>Introduction: \u00c9lise ASPORD<\/p><p><strong>2:05 p.m.:<\/strong> Presentation by Margot GUILLEMOT (Hyper Wave), Commissioner #1<\/p><p><strong>2:15 p.m.:<\/strong> Screening of the Focus #1 by Hyper Wave<\/p><p><strong>2:55 p.m.: <\/strong>Presentation of the artiste #1, Isabelle DEHAY<\/p><p><strong>3:05 p.m.: <\/strong><span class=\"Y2IQFc\" lang=\"en\">Roundtable discussion \"Poetics of the signal \/ Memories in motion\"<\/span><\/p><p>Moderation: \u00c9lise ASPORD<\/p><p>With Margot GUILLEMOT (Hyper Wave) and Isabelle DEHAY<\/p><p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: Human fragility, the fleeting nature of memories, the evolution of technology\u2026 video artists, from all eras and places, have constantly explored the space-time continuum of the moving image. From the act of capturing to its reproduction, the artist-alchemist plays with a hidden \u201creality\u201d that gradually recomposes and reinterprets itself within each viewer\u2019s mind. As associate curator of VDF 2026, the Taiwanese art platform Hyper Wave multiplies the possibilities for creation and artistic innovation, fostering encounters between contemporary art, local identity, and international networks. These field artists situate their work within a dialogue with their environment, imbued as much with cutting-edge technological advancements as with introspective and experimental artistic practice. Choreography of movement, creation of algorithms\u2026 these are also central to the work of multimedia artist Isabelle Dehay, who veils and unveils \u201cmental images\u201d in all their phantasmagorical dimensions. The installation Pixel Painting #Lugge thus confronts selective, dreamlike human memories with the memories of our artificial artifacts. From Hyper Wave\u2019s techno-hybridizations to Isabelle Dehay\u2019s Pixelfies portrait series, the idea is clearly not to spend time marveling at the technology, but rather to enjoy the artwork. From working with frequency (wave), with the video signal\u2026 to the effects of speed and slow motion\u2026 from pixelation to images processed by AI\u2026 how do digital creations influence our own representations and vice versa? Or how do the human and the virtual transform into poetic material?\"><span class=\"Y2IQFc\" lang=\"en\">Human fragility, the fleeting nature of memories, the evolution of technology\u2026 video artists, from all eras and places, have constantly explored the space-time continuum of the moving image. From the act of capturing to its reproduction, the artist-alchemist plays with a hidden \u201creality\u201d that gradually recomposes and reinterprets itself within each viewer\u2019s mind. <\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: Human fragility, the fleeting nature of memories, the evolution of technology\u2026 video artists, from all eras and places, have constantly explored the space-time continuum of the moving image. From the act of capturing to its reproduction, the artist-alchemist plays with a hidden \u201creality\u201d that gradually recomposes and reinterprets itself within each viewer\u2019s mind. As associate curator of VDF 2026, the Taiwanese art platform Hyper Wave multiplies the possibilities for creation and artistic innovation, fostering encounters between contemporary art, local identity, and international networks. These field artists situate their work within a dialogue with their environment, imbued as much with cutting-edge technological advancements as with introspective and experimental artistic practice. Choreography of movement, creation of algorithms\u2026 these are also central to the work of multimedia artist Isabelle Dehay, who veils and unveils \u201cmental images\u201d in all their phantasmagorical dimensions. The installation Pixel Painting #Lugge thus confronts selective, dreamlike human memories with the memories of our artificial artifacts. From Hyper Wave\u2019s techno-hybridizations to Isabelle Dehay\u2019s Pixelfies portrait series, the idea is clearly not to spend time marveling at the technology, but rather to enjoy the artwork. From working with frequency (wave), with the video signal\u2026 to the effects of speed and slow motion\u2026 from pixelation to images processed by AI\u2026 how do digital creations influence our own representations and vice versa? Or how do the human and the virtual transform into poetic material?\"><span class=\"Y2IQFc\" lang=\"en\">As associate curator of <strong>VIDEO<\/strong>FORMES 2026, the Taiwanese art platform Hyper Wave multiplies the possibilities for creation and artistic innovation, fostering encounters between contemporary art, local identity, and international networks. These field artists situate their work within a dialogue with their environment, imbued as much with cutting-edge technological advancements as with introspective and experimental artistic practice. <\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: Human fragility, the fleeting nature of memories, the evolution of technology\u2026 video artists, from all eras and places, have constantly explored the space-time continuum of the moving image. From the act of capturing to its reproduction, the artist-alchemist plays with a hidden \u201creality\u201d that gradually recomposes and reinterprets itself within each viewer\u2019s mind. As associate curator of VDF 2026, the Taiwanese art platform Hyper Wave multiplies the possibilities for creation and artistic innovation, fostering encounters between contemporary art, local identity, and international networks. These field artists situate their work within a dialogue with their environment, imbued as much with cutting-edge technological advancements as with introspective and experimental artistic practice. Choreography of movement, creation of algorithms\u2026 these are also central to the work of multimedia artist Isabelle Dehay, who veils and unveils \u201cmental images\u201d in all their phantasmagorical dimensions. The installation Pixel Painting #Lugge thus confronts selective, dreamlike human memories with the memories of our artificial artifacts. From Hyper Wave\u2019s techno-hybridizations to Isabelle Dehay\u2019s Pixelfies portrait series, the idea is clearly not to spend time marveling at the technology, but rather to enjoy the artwork. From working with frequency (wave), with the video signal\u2026 to the effects of speed and slow motion\u2026 from pixelation to images processed by AI\u2026 how do digital creations influence our own representations and vice versa? Or how do the human and the virtual transform into poetic material?\"><span class=\"Y2IQFc\" lang=\"en\">Choreography of movement, creation of algorithms\u2026 these are also central to the work of multimedia artist Isabelle Dehay, who veils and unveils \u201cmental images\u201d in all their phantasmagorical dimensions. The installation <em>Pixel Painting #Luge<\/em> thus confronts selective, dreamlike human memories with the memories of our artificial artifacts. <\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: Human fragility, the fleeting nature of memories, the evolution of technology\u2026 video artists, from all eras and places, have constantly explored the space-time continuum of the moving image. From the act of capturing to its reproduction, the artist-alchemist plays with a hidden \u201creality\u201d that gradually recomposes and reinterprets itself within each viewer\u2019s mind. As associate curator of VDF 2026, the Taiwanese art platform Hyper Wave multiplies the possibilities for creation and artistic innovation, fostering encounters between contemporary art, local identity, and international networks. These field artists situate their work within a dialogue with their environment, imbued as much with cutting-edge technological advancements as with introspective and experimental artistic practice. Choreography of movement, creation of algorithms\u2026 these are also central to the work of multimedia artist Isabelle Dehay, who veils and unveils \u201cmental images\u201d in all their phantasmagorical dimensions. The installation Pixel Painting #Lugge thus confronts selective, dreamlike human memories with the memories of our artificial artifacts. From Hyper Wave\u2019s techno-hybridizations to Isabelle Dehay\u2019s Pixelfies portrait series, the idea is clearly not to spend time marveling at the technology, but rather to enjoy the artwork. From working with frequency (wave), with the video signal\u2026 to the effects of speed and slow motion\u2026 from pixelation to images processed by AI\u2026 how do digital creations influence our own representations and vice versa? Or how do the human and the virtual transform into poetic material?\"><span class=\"Y2IQFc\" lang=\"en\">From Hyper Wave\u2019s techno-hybridizations to Isabelle Dehay\u2019s <em>Pixselfies<\/em> portrait series, the idea is clearly not to spend time marveling at the technology, but rather to enjoy the artwork. From working with frequency (wave), with the video signal\u2026 to the effects of speed and slow motion\u2026 from pixelation to images processed by AI\u2026 how do digital creations influence our own representations and vice versa? Or how do the human and the virtual transform into poetic material?<\/span><\/p><\/div><div id=\"tab-69f56438e52f3-2\" ><h3>Digital Acts #7 - Part 2<\/h3><p><strong>9 a.m.:<\/strong> Welcome coffee<\/p><p><strong>9:25 a.m.:<\/strong> Introduction by \u00c9lise ASPORD<\/p><p><strong>9:30 a.m.<\/strong><strong>:<\/strong> Presentation by Pierre SCHEFLER (ARCAN President), Commissioner #2<\/p><p><strong>9:50<\/strong> <strong>a.m.:<\/strong> Presentation of the artiste #2, Julie STEPHEN CHHENG<\/p><p><strong>10 a.m.: <\/strong>Roundtable discussion \"From the idea to the product\"<\/p><p>Moderation: \u00c9lise ASPORD<\/p><p>With Pierre SCHEFLER (ARCAN President), Julie STEPHEN CHHENG, David-Olivier LARTIGAUD (ESAD Saint-Etienne) and Nicolas ROSETTE (TNG - CDN Lyon)<\/p><p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: In digital art, creation unfolds through a constant dialogue between artistic intentions, technical realities, and production conditions. Tools, software, interfaces, as well as constraints of time, budget, and collaboration, profoundly influence the form the artwork takes. Similarly, methodological choices, production frameworks, support, and knowledge transfer play a crucial role in the transition from intuition to realization. In this lengthy process, and given the often numerous obstacles, it is essential to think in a rhizomatic, interconnected way. Exchanges between artists, developers, producers, distributors, and educators contribute to the very definition of the project. To discuss these topics, we have invited an exhibiting artist, Julie Stephen Chheng (chapel of the Old General Hospital), an organization\u2014also an associate curator of VDF 2026\u2014DNA Grenoble (Pierre Schefler), and two regional stakeholders: Nicolas Rosette (expert-lead of the Le Vivier support program) and David-Olivier Lartigaud (ESAD Saint Etienne). What do we mean by artistic creation? What spaces are dedicated to research and prototyping? What are the different ecosystems conducive to production and dissemination? These are some of the complex questions that our guests and the intergenerational audience will be invited to discuss.\"><span class=\"Y2IQFc\" lang=\"en\">In digital art, creation unfolds through a constant dialogue between artistic intentions, technical realities, and production conditions. Tools, software, interfaces, as well as constraints of time, budget, and collaboration, profoundly influence the form the artwork takes. Similarly, methodological choices, production frameworks, support, and knowledge transfer play a crucial role in the transition from intuition to realisation.<\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: In digital art, creation unfolds through a constant dialogue between artistic intentions, technical realities, and production conditions. Tools, software, interfaces, as well as constraints of time, budget, and collaboration, profoundly influence the form the artwork takes. Similarly, methodological choices, production frameworks, support, and knowledge transfer play a crucial role in the transition from intuition to realization. In this lengthy process, and given the often numerous obstacles, it is essential to think in a rhizomatic, interconnected way. Exchanges between artists, developers, producers, distributors, and educators contribute to the very definition of the project. To discuss these topics, we have invited an exhibiting artist, Julie Stephen Chheng (chapel of the Old General Hospital), an organization\u2014also an associate curator of VDF 2026\u2014DNA Grenoble (Pierre Schefler), and two regional stakeholders: Nicolas Rosette (expert-lead of the Le Vivier support program) and David-Olivier Lartigaud (ESAD Saint Etienne). What do we mean by artistic creation? What spaces are dedicated to research and prototyping? What are the different ecosystems conducive to production and dissemination? These are some of the complex questions that our guests and the intergenerational audience will be invited to discuss.\"><span class=\"Y2IQFc\" lang=\"en\">In this lengthy process, and given the often numerous obstacles, it is essential to think in a rhizomatic, interconnected way. Exchanges between artists, developers, producers, distributors, and educators contribute to the very definition of the project. To discuss these topics, we have invited an exhibiting artist, Julie Stephen Chheng (Chapelle de l'Ancien H\u00f4pital G\u00e9n\u00e9ral), an organisation\u2014that is also an associate curator of <strong>VIDEO<\/strong>FORMES 2026\u2014 DNA Grenoble (Pierre Schefler), and two regional stakeholders: Nicolas Rosette (expert-lead of the Le Vivier support program) and David-Olivier Lartigaud (ESAD Saint Etienne). <\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: In digital art, creation unfolds through a constant dialogue between artistic intentions, technical realities, and production conditions. Tools, software, interfaces, as well as constraints of time, budget, and collaboration, profoundly influence the form the artwork takes. Similarly, methodological choices, production frameworks, support, and knowledge transfer play a crucial role in the transition from intuition to realization. In this lengthy process, and given the often numerous obstacles, it is essential to think in a rhizomatic, interconnected way. Exchanges between artists, developers, producers, distributors, and educators contribute to the very definition of the project. To discuss these topics, we have invited an exhibiting artist, Julie Stephen Chheng (chapel of the Old General Hospital), an organization\u2014also an associate curator of VDF 2026\u2014DNA Grenoble (Pierre Schefler), and two regional stakeholders: Nicolas Rosette (expert-lead of the Le Vivier support program) and David-Olivier Lartigaud (ESAD Saint Etienne). What do we mean by artistic creation? What spaces are dedicated to research and prototyping? What are the different ecosystems conducive to production and dissemination? These are some of the complex questions that our guests and the intergenerational audience will be invited to discuss.\"><span class=\"Y2IQFc\" lang=\"en\">What do we mean by artistic creation? What spaces are dedicated to research and prototyping? What are the different ecosystems conducive to production and dissemination? These are some of the complex questions that our guests and the intergenerational audience will be invited to discuss.<\/span><\/p><p dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: In digital art, creation unfolds through a constant dialogue between artistic intentions, technical realities, and production conditions. Tools, software, interfaces, as well as constraints of time, budget, and collaboration, profoundly influence the form the artwork takes. Similarly, methodological choices, production frameworks, support, and knowledge transfer play a crucial role in the transition from intuition to realization. In this lengthy process, and given the often numerous obstacles, it is essential to think in a rhizomatic, interconnected way. Exchanges between artists, developers, producers, distributors, and educators contribute to the very definition of the project. To discuss these topics, we have invited an exhibiting artist, Julie Stephen Chheng (chapel of the Old General Hospital), an organization\u2014also an associate curator of VDF 2026\u2014DNA Grenoble (Pierre Schefler), and two regional stakeholders: Nicolas Rosette (expert-lead of the Le Vivier support program) and David-Olivier Lartigaud (ESAD Saint Etienne). What do we mean by artistic creation? What spaces are dedicated to research and prototyping? What are the different ecosystems conducive to production and dissemination? These are some of the complex questions that our guests and the intergenerational audience will be invited to discuss.\">\u00a0<\/p><h3>Actes Num\u00e9riques #7 - Part 3<\/h3><p><strong>2 p.m.:<\/strong> Introduction by \u00c9lise ASPORD<\/p><p><strong>2:05<\/strong> <strong>p.m.:<\/strong> Pr\u00e9sentation by V\u00e9ronique SAPIN (FemLink-Art), Commissioner #3<\/p><p><strong>2:15 p.m.:<\/strong> Screening of the Focus #2 by FemLink-Art<\/p><p><strong>3 p.m.:<\/strong> Presentation of the artists #3, Christa SOMMERER &amp; Laurent MIGNONNEAU<\/p><p><strong>3:10 p.m.: <\/strong><span class=\"Y2IQFc\" lang=\"en\">Roundtable discussion \"From <strong>VIDEO<\/strong>FORMES to <strong>VIDEO<\/strong>FEMMES, a battleground\"<\/span><\/p><p>Moderation : \u00c9lise ASPORD<\/p><p>With V\u00e9ronique SAPIN (FemLink-Art), Christa SOMMERER and Laurent MIGNONNEAU<\/p><div class=\"ULSxyf\"><div class=\"MjjYud\"><div class=\"A6K0A\" data-rpos=\"0\"><div class=\"Ww4FFb vt6azd obcontainer wDYxhc\" role=\"presentation\" data-md=\"77\" data-hveid=\"CAwQAA\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQkCl6BAgMEAA\"><div class=\"EyBRub\" data-kpfbbcast=\"\"><div id=\"tw-main\" data-hveid=\"CAwQAQ\"><div id=\"tw-container\" class=\"nev7se\" data-cp=\"1\" data-nnttsvi=\"1\" data-sletp=\"false\" data-sm=\"1\" data-ssbp=\"false\" data-sugg-time=\"500\" data-sugg-url=\"https:\/\/clients1.google.com\/complete\/search\" data-uilc=\"fr\" data-vil=\",af,af-ZA,am,am-ET,ar-EG,ar-AE,ar-KW,ar-QA,ar,ar-IL,ar-JO,ar-LB,ar-PS,az,az-AZ,bg,bg-BG,bn,bn-BD,bn-IN,ca,ca-es,cs,cs-CZ,de,de-DE,de-CH,de-AT,de-LI,en,en-US,en-CA,en-AU,en-NZ,en-GB,en-IN,en-KE,en-TZ,en-NG,en-GH,en-PH,en-ZA,es,es-ES,es-AR,es-UY,es-419,es-BO,es-CL,es-CR,es-CO,es-DO,es-EC,es-GT,es-HN,es-NI,es-PA,es-PE,es-PR,es-PY,es-SV,es-VE,es-MX,es-US,eu,eu-ES,fi,fi-FI,fr,fr-FR,fr-CH,fr-BE,gl,gl-ES,gu,gu-IN,he,he-IL,iw,iw-IL,hu,hu-HU,hy,hy-AM,id,id-ID,is,is-IS,it,it-IT,it-CH,ja,ja-JP,jv,jv-ID,ka,ka-GE,km,km-KH,kn,kn-IN,ko,ko-KR,la,lo,lo-LA,lv,lv-LV,ml,ml-IN,mr,mr-IN,ms,ms-MY,nl,nl-NL,nb,nb-NO,ne,ne-NP,pl,pl-PL,pt,pt-BR,pt-PT,ro,ro-RO,ru,ru-RU,si-LK,sk,sk-SK,sr,sr-RS,su,su-ID,sv,sv-SE,sw,sw-TZ,sw-KE,ta,ta-IN,ta-SG,ta-LK,ta-MY,te,te-IN,tr,tr-TR,ur,ur-PK,ur-IN,yue,yue-HK,yue-Hant-HK,zh-HK,zh,zh-CN,zh-cmn,zh-cmn-CN,zh-Hans,zh-Hans-CN,zh-cmn-Hans,zh-cmn-Hans-CN,cmn-CN,cmn-Hans,cmn-Hans-CN,zh-TW,zh-Hant-TW,cmn-TW,cmn-Hant-TW,zh-cmn-TW,zh-cmn-Hant-TW,zu,zu-ZA,hi,hi-IN,tl,tl-PH,pa,pa-IN\"><div><div><div id=\"tw-ob\" class=\"tw-src-ltr\"><div class=\"oSioSc\"><div id=\"tw-target\"><div id=\"kAz1tf\" class=\"g9WsWb PZPZlf\" data-attrid=\"tw-targetArea\" data-entityname=\"Google Translate\"><div id=\"tw-target-text-container\" class=\"tw-ta-container tw-nfl\" tabindex=\"0\" role=\"text\"><p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: \u201cEvery individual counts. Every individual has a role to play. Every individual makes a difference\u201d (Jane Goodall).\n\nTo celebrate its 20th anniversary, the international sisterhood collective FemLink-Art (V\u00e9ronique Sapin, C. M. Judge, and others) presents its manifesto-like work: PROTESTER. The ultra-condensed format of some twenty video compositions in a forty-minute program sets the tone. Punchlines, protest uppercuts\u2026 coming from voices rendered invisible and precarious, this exquisite corpse\u2014one and all at once\u2014explodes the processes of domination and power.\n\nTo have one\u2019s heart, body, and mind in revolt is also to want to change the paradigm. And what if the celebration of wandering, of idleness in the collective and interactive work Fl\u00e2neur by Sommerer and Mignonneau, were just as revolutionary as taking to the streets? Echoing the book *To Resist Capitalism: Let's Take a Nap* by author Fr\u00e9d\u00e9rique Vianlatte, the duo invites us to a genuine, small-scale revolution in our daily lives.\n\nRefusing to resign ourselves (and opening the floodgates of creativity to all), doing nothing (and thus challenging the norms of our productivist societies that reek of &quot;efficiency, measurability, and optimization&quot;), means questioning our personal and collective choices and the impact of our actions on the world. This fight for freedom of expression, for emancipatory creation; this call to collective action (inaction, non-action) punctuates the history of humanity, a commitment that remains ever-present\u2026\n\n\u201cENDLESS,\u201d as filmmaker Jos\u00e9 Val del Omar signed his films.\"><span class=\"Y2IQFc\" lang=\"en\"><em>\u201cEvery individual counts. Every individual has a role to play. Every individual makes a difference\u201d<\/em> (Jane Goodall). <\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: \u201cEvery individual counts. Every individual has a role to play. Every individual makes a difference\u201d (Jane Goodall).\n\nTo celebrate its 20th anniversary, the international sisterhood collective FemLink-Art (V\u00e9ronique Sapin, C. M. Judge, and others) presents its manifesto-like work: PROTESTER. The ultra-condensed format of some twenty video compositions in a forty-minute program sets the tone. Punchlines, protest uppercuts\u2026 coming from voices rendered invisible and precarious, this exquisite corpse\u2014one and all at once\u2014explodes the processes of domination and power.\n\nTo have one\u2019s heart, body, and mind in revolt is also to want to change the paradigm. And what if the celebration of wandering, of idleness in the collective and interactive work Fl\u00e2neur by Sommerer and Mignonneau, were just as revolutionary as taking to the streets? Echoing the book *To Resist Capitalism: Let's Take a Nap* by author Fr\u00e9d\u00e9rique Vianlatte, the duo invites us to a genuine, small-scale revolution in our daily lives.\n\nRefusing to resign ourselves (and opening the floodgates of creativity to all), doing nothing (and thus challenging the norms of our productivist societies that reek of &quot;efficiency, measurability, and optimization&quot;), means questioning our personal and collective choices and the impact of our actions on the world. This fight for freedom of expression, for emancipatory creation; this call to collective action (inaction, non-action) punctuates the history of humanity, a commitment that remains ever-present\u2026\n\n\u201cENDLESS,\u201d as filmmaker Jos\u00e9 Val del Omar signed his films.\"><span class=\"Y2IQFc\" lang=\"en\">To celebrate its 20th anniversary, the international sisterly collective FemLink-Art (V\u00e9ronique Sapin, C. M. Judge, and others) presents its manifesto-like work: PROTEST. The ultra-condensed format of some twenty video compositions in a forty-minute program sets the tone. Punchlines, protest uppercuts\u2026 coming from voices rendered invisible and precarious, this exquisite corpse\u2014one and all at once\u2014explodes the processes of domination and power. <\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: \u201cEvery individual counts. Every individual has a role to play. Every individual makes a difference\u201d (Jane Goodall).\n\nTo celebrate its 20th anniversary, the international sisterhood collective FemLink-Art (V\u00e9ronique Sapin, C. M. Judge, and others) presents its manifesto-like work: PROTESTER. The ultra-condensed format of some twenty video compositions in a forty-minute program sets the tone. Punchlines, protest uppercuts\u2026 coming from voices rendered invisible and precarious, this exquisite corpse\u2014one and all at once\u2014explodes the processes of domination and power.\n\nTo have one\u2019s heart, body, and mind in revolt is also to want to change the paradigm. And what if the celebration of wandering, of idleness in the collective and interactive work Fl\u00e2neur by Sommerer and Mignonneau, were just as revolutionary as taking to the streets? Echoing the book *To Resist Capitalism: Let's Take a Nap* by author Fr\u00e9d\u00e9rique Vianlatte, the duo invites us to a genuine, small-scale revolution in our daily lives.\n\nRefusing to resign ourselves (and opening the floodgates of creativity to all), doing nothing (and thus challenging the norms of our productivist societies that reek of &quot;efficiency, measurability, and optimization&quot;), means questioning our personal and collective choices and the impact of our actions on the world. This fight for freedom of expression, for emancipatory creation; this call to collective action (inaction, non-action) punctuates the history of humanity, a commitment that remains ever-present\u2026\n\n\u201cENDLESS,\u201d as filmmaker Jos\u00e9 Val del Omar signed his films.\"><span class=\"Y2IQFc\" lang=\"en\">To have one\u2019s heart, body, and mind in revolt is also to want to change the paradigm. And what if the celebration of wandering, of idleness in the collective and interactive work <em>Fl\u00e2neur<\/em> by Sommerer and Mignonneau, were just as revolutionary as taking to the streets? Echoing the book <em>Pour r\u00e9sister au capitalisme : faisons la sieste <\/em> by author Fr\u00e9d\u00e9rique Vianlatte, the duo invites us to a genuine, small-scale revolution in our daily lives.<\/span><\/p><p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjhh86cmsyTAxWJVKQEHUc4AsAQ3ewLegQIDBAW\" aria-label=\"Texte traduit\u00a0: \u201cEvery individual counts. Every individual has a role to play. Every individual makes a difference\u201d (Jane Goodall).\n\nTo celebrate its 20th anniversary, the international sisterhood collective FemLink-Art (V\u00e9ronique Sapin, C. M. Judge, and others) presents its manifesto-like work: PROTESTER. The ultra-condensed format of some twenty video compositions in a forty-minute program sets the tone. Punchlines, protest uppercuts\u2026 coming from voices rendered invisible and precarious, this exquisite corpse\u2014one and all at once\u2014explodes the processes of domination and power.\n\nTo have one\u2019s heart, body, and mind in revolt is also to want to change the paradigm. And what if the celebration of wandering, of idleness in the collective and interactive work Fl\u00e2neur by Sommerer and Mignonneau, were just as revolutionary as taking to the streets? Echoing the book *To Resist Capitalism: Let's Take a Nap* by author Fr\u00e9d\u00e9rique Vianlatte, the duo invites us to a genuine, small-scale revolution in our daily lives.\n\nRefusing to resign ourselves (and opening the floodgates of creativity to all), doing nothing (and thus challenging the norms of our productivist societies that reek of &quot;efficiency, measurability, and optimization&quot;), means questioning our personal and collective choices and the impact of our actions on the world. This fight for freedom of expression, for emancipatory creation; this call to collective action (inaction, non-action) punctuates the history of humanity, a commitment that remains ever-present\u2026\n\n\u201cENDLESS,\u201d as filmmaker Jos\u00e9 Val del Omar signed his films.\"><span class=\"Y2IQFc\" lang=\"en\">Refusing to resign ourselves (and opening the floodgates of creativity to all), doing nothing (and thus challenging the norms of our productivist societies that reek of \"efficiency, measurability, and optimisation\"), means questioning our personal and collective choices and the impact of our actions on the world. This fight for freedom of expression, for emancipatory creation; this call to collective action (inaction, non-action) punctuates the history of humanity, a commitment that remains ever-present\u2026 \u201cENDLESS,\u201d as filmmaker Jos\u00e9 Val del Omar signed his films.<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cf4be7a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cf4be7a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-dd2d851\" data-id=\"dd2d851\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1e2ece5 elementor-widget elementor-widget-spacer\" data-id=\"1e2ece5\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Thursday 12 and Friday 13 March Digital Acts #7 Professional Meetings Georges Conchon building, Maison de la Culture Digital Acts #7 meetings: Thursday 12 March &#8211;<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-1430","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Digital Acts #7 | Festival VIDEOFORMES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/festival.videoformes.com\/rencontres-professionnelles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Digital Acts #7 | Festival VIDEOFORMES\" \/>\n<meta property=\"og:description\" content=\"Thursday 12 and Friday 13 March Digital Acts #7 Professional Meetings 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