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Tuesday 21 April – 8 p.m.
Crous, Frères-Lumière theatre
25 Etienne Dolet street, 63000 Clermont-Ferrand
For the third year in a row, the Hybrid Looks evening returns during the Clermont Innovation Week with a ‘VIDEOFORMES 2026 / Université Clermont Auvergne student jury’s favourites’.
Free
After awarding a prize at the VIDEOFORMES 2026 festival, the student jury—composed of Loriane Hourcade, Élisa Mabeau Afonso, and Éléa Royon—is invited to take on the role of young programmers and present their own selection composed of their favorite videos. An evening dedicated to emerging talent, sharing, and discovery.
This screening of 6 videos will be followed by a discussion with Eléa Royon, a member of the student jury.
The Perpetual Tapestry | Simone HOOYMANS | 2025 | NOR | 10’00
The Perpetual Tapestry is an experimental animation about bees and viruses, collapse and transformation, where everything is connected in a woven tapestry. Despite the humans’ intentions to do good, we seem to move towards our own demise.
Preludio de un destello | Nicolás ONISCHUK | 2025 | ARG | 4’35
In an audiovisual collage where nostalgia meets magnetism, Preludio de un destello fuses early cinema images with contemporary animation, exploring the tension between past and present.
Delete Forever | Felix CÔTE | 2025 | FRA | 16’20
Every day, thousands of people choose to remove their content from the Internet. YouTube, in particular, is home to a large number of ephemeral amateur videos. Quickly deleted, these items are precious archaeological resources.
Fly Train | Ria ZHANG Riwen | 2025 | HKG | 3’43
During an ordinary journey, thoughts drift between scenery and fragmented memories, caught in dreams. Everyday silhouettes transform into the surreal, diving into a poetic stream of consciousness.
Take Control | Mihai GRECU & Mathieu CAYROU | 2025 | ROU – FRA | 3’42
In a post-apocalyptic Eastern Europe, filmmaker Mihai Grecu, composer Mischa Blanos and editor Mathieu Cayrou join forces to create a hallucinatory vision where myth and technology intertwine. Wolves disguised as sheep guide flocks through burning cities and desolate landscapes, while enigmatic entities slip in from another dimension to lead the herd toward uncertain destinies. Grecu’s AI-driven imagery collides with Blanos’ haunting blend of piano and electronics, shaped through Cayrou’s immersive editing into a ritual of survival and transformation. Together, they reimagine the pastoral myth as a contemporary fable of collapse, belief, and transcendence.
It Might Even Be Real | Yael BONNE | 2025 | ISR | 7’10
Investigating the mechanisms at the heart of cinema and animation, an Israeli animator seeks to convince her mind to embrace the illusion of hope—just as it embraces the illusion of movement.
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